From Convent Sketches to Collectible Icons: The Enduring Legacy of German Hummel Figurines
Nestled amidst the rolling hills of Bavaria, Germany, lies a convent that holds the key to a unique cultural phenomenon: Collectible German Hummel figurines. These charming porcelain figures, with their rosy-cheeked children and quaint scenes, have captured hearts worldwide for over eight decades.

But their journey, from the pen of a talented nun to beloved collectibles, is steeped in German history and artistry.
The Artistic Roots: Sister Maria Innocentia Hummel
The story begins with Berta Hummel, born in 1909 in southern Germany. As a young girl, her artistic talent shone through, leading her to pursue art school. In 1931, she joined the Franciscan convent in Siessen, Bavaria, taking the name Sister Maria Innocentia. Despite the strict religious life, her artistic spirit remained alive, and she began creating whimsical sketches of children playing, singing, and enjoying simple joys. These sketches, imbued with innocence and warmth, quickly gained popularity within the convent and beyond.
From Paper to Porcelain: The Collaboration with Goebel
Sister Maria Innocentia’s drawings caught the eye of Franz Goebel, head of the renowned German porcelain company W. Goebel Porzellanfabrik. Recognizing the potential of her work, he approached the convent in 1934 with a bold proposal: to translate her two-dimensional artwork into three-dimensional ceramic figurines. The collaboration was born, and the first Hummel figurines, featuring ten designs, were unveiled at the Leipzig Trade Fair in 1935.



































